Kim Tx

 

Maya Writing System

and

Calendar Code

 


Maya writing system stands

as the most sophisticated ever developed

in ancient America.

Until 40 years ago it proved

to be amongthe most baffling

undeciphered systems

in the world.


Progress in breaking the code

came in four stages.

The first one came between

1880 and 1910.

A German Scholar,

led by Ernst Forstemann,

head of the royal library in Dresden.

He solved the Maya Calendar system.

The second a Russian scholar

Yuri Knorozov

successfuly dicipherment

of the non-calendrical texts

in the early 1950's.

He realized the

Bishop Landa's

old account of Yucatan,

that the Maya hieroglyphic system

was a mixture of words and

syllables that adhered to rigid rules

of sound and language.

The third stage of decipherment

began in 1960,

Tatiana Proskouriakoff's

unveiling of the historical content

of the Maya texts at

Piedras Negras.

The fourth great effort,

began at the First Round Table

meeting of scholars at

Palenque in1973,

witnessed the entry of

full-fledged linguists into the fray,

led by Floyd Lounsbury of Yale.
An estimated 5,000 known Maya

texts of varying length appear in

carved or painted form

on stelae and altars,

pottery vessels, ornaments,

building walls and lintels,

the page os books,

and inside caves and tombs.

The maya scribes had some

800 different hieroglyphic signs

and which was cataloged in

1962 by Sir Eric Thompson.

Each one could appear in simple form

or in more elaborate versions.


Some were profile heads,

full figures of people

or animals or Gods.
These stood for words or syllables

or as complementary elements

to clarify intent.

With all these symbols the scribes

could render any word or

sound in their language.


The word pacal, or shield,

could be written either by using a

picture of a shield or

by spelling the word out

with the syllable signs pa-ca-la, with the understanding that the

"dead" vowel

at the end could be dropped.

By putting both versions

side by side,

there would be no doubt

what the meaning was.

Often, however,

several different signs

could stand for the same thing.

The Maya used a least

12 separate glyphs for the sound u,

the third person possessive pronoun,

or a phonetic component

of verb uti--it happened.

As if this were not enough to drive

an spigraphist insane,

some glyphs have

several different meanings.

The sign for the day cauac,

for instance,

when stripped of its

calendrical frame,

can become the word tun,

meaning "stone," a 360-day period,

or the syllable ku in the

word ak(u), which means "turtle".


Whatever the words or syllables

the scribes chose to write,

they grouped them into the familiar,

gently rounded blocks that

typify ancient Maya texts.

Depending on the complexity

of the elements,

the space available,

or sheer whim,

they distributed signs among adjacent glyphblocks,

or squeezed them into one

and making sure to keep the more

complicated statements in

proper grammatical order--verb, object, subject.


Using the work of

Tatiana Proskouriakoff,

scholars have reconstructed the royal dynasties of many of the

classic Maya City states.

Thanks to them,

we can now speak with easy familiarity

of such rulers as the

great Shield Jaguar of Yaxchilan,

who lived to such a ripe old age,

or his son Bird Jaguar,

who apparently

reveled in his hard-earned title,

"he of 20 captives".


On a Stone Lintel from Yaxchilan,

a long Count date uses glyphs

of full figures as time periods

and heads as numbers.

The monkey at center right,

symbol for a single day,

holds the head for the number 6;

the skull below it represents 10,

for a total of 16.

Multiplied by the one day,

the glyph says "16 days".

Combined,

all the glyphs equal the

date February 11, 526 B.C.

Numeral System

 


The Maya perfected a calendar

and numeral system that

ranked as outstanding

intellectual achievements.

Maya priest-scholars set forth

an imaginative concept of time

as a series of burdens carried on the

backs of divine bearers.

Each day brought by the

sacred bearers

held its own promise of happiness

or misery, success or failure.

As we do today,

the Maya wrote figures in

two distinct ways, comparable to

Roman and Arabic numerals.

Maya "Roman" numerals

were dots and bars, as shown above.

A dot stood for one; a bar, five.

Combined they reached

19- maximum number of days

before the next time unit,

the Maya 20-day month.

Starting off the numeral system

is the shell sign for zero.

For their "Arabic " system,

from zero through 19,

the Maya designed fantastic heads

(above right).

These were of two kinds.

Zero through 13 were represented by

patron deities such as

Death, Sun, and Rain.

From the second number 13 on,

the heads were composites.

Each combined the skeleton jaw

from number 10 with one of the other

number signs, 3 through 9.

In writing large numbers,

the Maya multiplied by

means of position,

using the zero.

 

The above chart gives examples of

Maya

dot-and bar numbers

throught the first four

orders of the time count.

The figures represent days,

beginning at the first order

with 13 units (13x 1).

At the second order,

four dots are multiplied by 20

(the number of days in a Maya month)

and added to five units, producing 85.

The third order brings an exception,

the only one to break the even rise

of Maya figures.

At this point the multiple becomes 360

(that is, 1x20 x18) instead of

400 (1 x 20x 20).

This deviations probably arose

from the Maya wish to bring this

count as near as possible to the

length of the solar year.

The fourth order,

progression by twenties returns,

providing a Maya 20-year period

of 7,200 days.

In the last column's grand total

of 75,000 the final,

all important unit zero is obtained

by the simple step, 0 x 1 equals 0.

 

Pictured above are eight dates

from the Maya solar year cycle

that correspond to some of our

holidays or celebrations.

In each hieroglyph,

the number in bars and

dots indicates position

in the month,

the sign at right the name of the

Maya month.

These parallels are based on the

Maya calendar of the 1560's

described by

Bishop Diego de Lando.

Two examples,

11 Zac and 12 Mol,

show how the sculptors filled unused

numeral spaces with decorative detail.

Thereby the Maya reveal not only their

artistry but the infinite care with

which they fashioned in stone a

monument

to their philosophy of time.

This page was done to satisfy

my thrist for History.

I hope it has satisfied

others thrist for knowledge.

Next

Credit

Thanks for the Background!